Here, There Be Dragons Review

A few months ago, all of the books that I wanted to read either already read, had too long a request at the library, or weren’t released yet (this is, of course, ignoring the ever-growing pile of to-read books in my room). So I turned to my friend Pulsarax on Tumblr and ended up borrowing a number of books – one of which was Here, There Be Dragons.

 

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Here, There Be Dragons is a fantasy novel written by James A. Owen. It was published a while back in 2006 and is the first book in The Chronicles of the Imaginarium Geographica. I’m not usually much of a fan for books that don’t take place in a modern setting, but I was lent this book with the promise of allusions to various mythology, so how could I refuse?

I am very glad this book was recommended to me. One of the things I usually dislike about fantasy that is set anywhere other than modern times on earth is a combination of the fact that realistic human development and that there is normally a formula of how things happen. Someone seems normal (for whatever creature they are), they accidentally get dragged into a mess that they didn’t originally anticipate, and then go on some form of the quest. While this book did follow that structure, there was enough happening that it didn’t seem drawn out or long winded.

The first thing that stood out was, of course, the allusions to mythology. Folklore, Greek, Arthurian... They were all intricately woven into the book where it didn’t harm the understanding if you get the reference, but made a good joke if you did.

The plot itself moved quickly. It was a little difficult to get into, like most books, but sped along once you got past the first chapter or two. I personally love how the author chose to take a plot that could have extended for a trilogy (cough Tolkien cough – not hating on the series, of course) and put it into one book. I have very little attention span as it is, so the fact that it went by so quickly was practically a gift.

On the other hand, the faster the book moves, the less detail there is. While I did love the characters, there was something lacking about them. It is only the first book in the series, so there is most certainly a lot more that can be delved into (I’ve only recently started the second one), but even so, the characters weren’t too relatable and were somewhat flat.

I give this book a four out of five. There were some things about this book that I didn’t like, but they were drowned out by how amazing other parts were. There is also a major plot twist at the end of the book that had me staring at the page in shock. I would recommend this book to anyone who wants a fairly quick and easy fix of fantasy with a book that’s very easy to get into and will leave you hooked until this end. 

City of Heavenly Fire Review

This review is going up really late and I’m so sorry about that! I read the book the week it came out and then completely forget that I was going to write a review on it (I also forgot to write my cover analysis of Blood of Olympus because the blogger mobile app wasn’t working quite right. I’ll get that up soon, hopefully!)

So, City of Heavenly Fire. How do I begin to describe this book? This book is flawless. Well, as close to flawless as a book can get. It was the perfect conclusion to The Mortal Instruments by Cassandra Clare. From the action to the suspense to the character development, all of it was on point and kept me hooked until I finished the book (which may have been a very bad thing, considering my copy had arrived during finals week). Not to mention the fact that this book is huge! It's 725 pages in the US edition, which is even longer than Oblivion by Anthony Horowitz (which is a giant itself - and I highly recommend it).

The plot, oh my. I have virtually no words to describe it. Whatever I was expecting from this book, it wasn’t that. It was better. There isn’t much I can say about the plot itself without spoiling anything (and as you should know if you’re a regular BLB reader, my blog is entirely spoiler free), but I can say that there are a lot of twists – some of those ending happily, others ending in intense feels. Most of the loose ends have been tied up, though there is an introduction to some new characters that will be appearing in The Dark Artifices.

And let’s not forget the characters. Though the timeline in the series is only about six months, I feel like all the characters have grown up and matured since the first book. The character development is amazing. This is especially true for Alec who, to be honest, kind of bored me until this book. But now we get to see more of the character than just small glimpses and oh my god he is insanely sassy.

Speaking of Alec, this book in particular has to be one of the few books in pop culture that is not specifically in the LGBTQ+ genre, but actually includes decent representation that goes beyond “that one gay character.” And yes, this is something that has been in all of the books to date, but there is more of it here (the exception might be the Bane Chronicles, which is entirely from the perspective of a “freewheeling bisexual” warlock). That, and the fact that there is still a clear reflection between how society looks at the subject of sexuality and how the Clave looks at it (as in, it’s gotten more accepting).

Overall, I am giving this book a five out of five. Yes, a perfect score! There were no extremely awkward parts to read in terms of poor writing. The characters were all well developed. The book held me right to the end with its perfection. A quick word of warning is that there is an implied sex scene as well as some moderate violence, but come on. If you’ve gotten to this book, it’s all the same stuff that has happened in the previous books.

After the Fear Review

I had After the Fear waiting, unread, on my tablet for the past few months. Only recently, when I was going through my emails did I remember it and decided why not read it? I haven’t anything better to do. And let me tell you – that was one of the best decisions of my life.

After the Fear by Rosanne River’s takes place in a dystopian society in which England has to pay of the “debt”, which they do by holding these events called demonstrations. If someone breaks the law, they get thrown into a demonstration. This book follows the perspective of a younger heroin named Sola. It sounds quite like the Hunger Games when you talk about it, but trust me. It’s better.

First of all, there is a well-written, strong female protagonist in this novel. I’ve found it difficult to find books that realistically portray a female lead, and River’s got it perfect in one. Sola faces not just issues that exist only in this fictional world, but also ones that regular teenage girls face, such as drama. But that drama doesn’t take over the book and there’s still plenty of action to go around.

I see the comparison to the Hunger Games, but the two books are not the same. There is fighting in an arena, but in After the Fear it’s more Roman gladiator style verses attempting to live in a strange yet controlled environment. The plots are also entirely different. This book is much less of a story leading up to a rebellion and war and more about the main character dealing with things as they’re thrown at her. She does find out about what the government is doing, but for once, there’s a main character who actually thinks better about striking back at full force.

The setting in this novel is fairly creative. It took England and twisted it around. Cities stayed cities, but the names were changed and the style of cities did too. No one could leave or enter them and, while some of that is standard practice in dystopian novels, the way River’s went about it and the setting she used as the base was fairly interesting.

There is also a political base to this novel as well. It talks about debt and, similar in this sense to Anthony Horowitz’s Oblivion, takes an issue from today and escalates it to how it might be in the long run if nothing is done. It was a creative approach and the plot twist in the novel really ties it in to modern day.

Overall, I give After the Fear a five out of five. I can’t find much fault with the book and I can see myself coming back to this book multiple times to reread. It easily made my top five favourites of all time, and it’s fairly difficult for a book to place there. I would recommend this book to anyone who wants a bit of action that also satisfies their dystopian society needs. I would also recommend it to any Hunger Games fan. The romance in this novel is fairly minimal as well, so while there is some, it is not sickeningly so. The only warning I have about this novel is that there is a lot of killing, and that could possibly make someone uncomfortable or be a bit of a trigger warning. But overall, this book is brilliant and I highly recommend it.

Allegiant Review

In the weeks leading up to the publication of Allegiant, the final book in the Divergent series, there was a huge amount of hype. It was trending on Twitter and consumed Tumblr in the days before the publication. When the book was finally released, it was devoured by fans.

Photo source Here

Only for people to find out the book was absolute rubbish.

I have read a lot of terribly written books in my lifetime, and Allegiant is one of them. The first book, Divergent, was fairly good. I enjoyed it enough to continue on to the second book. Insurgent was a bit of a chore to read, but I still did manage to finish it. Allegiant made me lose all faith in the series.

What was with the writing style, first off? Some authors have managed to pull off the idea of switching perspectives between characters, but Veronica Roth has not. While reading the book, it was extremely easy to become confused as to whether you were reading from Tris or Tobias’ view. Their internal voices were very similar – so similar, in fact, that when Tobias was kissing a girl I had thought it was from Tris’ perspective only for Tris to walk into the scene. It was very poorly written. On top of that, the writing itself was very basic. First person present tense is not my favourite, and this book is the reason why. The sentence structure was very simplistic and the diction was incredible basic. The plot may have been creative, but the poor writing drowned all of that out and made it very difficult and almost dry to read. There was no emotion in the writing either.

Characterisation, or rather, lack thereof, was extremely prominent. Tris lost any and all of the personality she’s gained in the previous book and ended up as a blank slate of emotionlessness. If she did have emotion at any point in time, it didn’t affect the reader I the slightest, leaving them indifferent. Same goes for Tobias. He discovers something shocking about himself, and while I expected him to have a more dramatic reaction, he only grew slightly more angsty and followed along with what another character was doing.

The plot itself was unrelated, to put it nicely. This book contradicted and made everything that happened in the previous books irrelevant. The idea behind that isn’t terrible, but it was so poorly executed that any positive that would have come from it was counteracted by the fact that the book just wasn’t written well. Even if there’s a good idea behind a book, if the writing and the characters are poorly done, there is no way the plot could excel. You can’t have one thing without the other.

Death should normally hold some meaning and usually, if it’s a major character, shock and upset the reader. This isn’t always true, but there’s a difference between offering foreshadowing for a symbolic death and just killing off character because there was literally nothing else to add in. Not saying which characters die, but the deaths are pointless in this book. It serves to add nothing to the plot – not even closure at the least. Its only purpose was to shock the reader in the ending and leave the fans of the series completely disappointed.

I give this book a one out of five. It offers a conclusion to the series, yes, but it’s a rubbish one and you would be better off reading fanfiction instead. The ending of the book is not a good ending (again, trying to stay spoiler free here), and while the other books felt like they were leading up to something, this one wasn’t. Overall, the book was just poorly planned out and poorly written. No one should read this book. It really is not worth your precious time.

The Social Code Review

Everyone at some point in time has gone to a bookstore to pick up a specific book only to leave with something completely unexpected. This happened to me the other day, resulting in me grabbing The Social Code as my newest read.

photo source here

The Social Code (originally published as The Start-Up in 2011), by Sadie Hayes, takes place in the sunny Silicon Valley. It’s about two orphaned twins, Adam and Amelia Dory, who both received scholarships to go to Stanford University. Amelia is a computer nerd with incredible coding skills, while Adam has an impressive business sense. It’s told from the perspective of numerous characters – not just the main two characters. It’s the first book in the series The Star-Up, which currently has two books released. The original version of the series has a third book to it, but it’s only available as an ebook and is noticeably shorter (as are all the books in the original publication of the series).

The plot was basically Gossip Girls, but with hacking. From the back of the book, it had sounded mildly interesting. Personally, I’m a pretty big fan of books that involve technologically competent characters. What I hadn’t expected was a book that about the rich or the ones trying to become rich. There were more scandals that happened in this book than there is in an episode of daytime television. If I wanted that, I probably would have gone to watch daytime television.

There was a surprising bit of a plot twist, but it happened within the last 100 pages and by the time I reached it, I was starting to get really bored of the book. The pace of the book was a bit too fast, leaving out a lot of detail even with showing the novel from the perspective of just about every character mentioned.

Most of the characters are fairly generic in the book. You have your ambitious, you have the ones with daddy issues, and you have the ones who spend a good portion of the book trying to sleep with their object of interest. The only character that stood out was Amelia, the main female who happens to be the only reason why I ended up reading the book. Out of the many characters and many perspectives, she’s one of the few that actually showed any development, and even then, that’s pushing it a little. She was also the only one I could feel any connection to as a reader, what with her awkwardness and her addiction to sitting in front of a computer.

Overall, I’d give this book a three out of five. The book is good for an afternoon read if there’s literally nothing else to do. The plus side is that it’s fairly short, so if you want some mindless entertainment, I’d recommend it. Overall, though, the book just wasn’t outstanding and fell back into the category “generic YA about rich people”, along with The Clique, The A-List, and Gossip Girl. But borrow it from the library instead of spending money on it – it isn’t something to reread.

Paper Towns Review

I’m apologising in advanced here: I have recently decided to participate in NaNoWriMo (National Novel Writing Month), despite the fact that it is already halfway through the month. This means I have to write about 3,000 words a day if I want to complete it on time. This also means that my very minimal free time that I had before will now be gone until the end of the month. This includes my blog. There is a huge chance that I will not be able to get reviews up for the next couple of weeks so, to my very few and very amazing readers, I am sorry. But I will complete NaNoWriMo this year! (heh, as if that will actually happen…)

Anyhoo, this week I read yet another John Green book. I have to say, I’m getting addicted. This one was Paper Towns, a book that personally is currently one of my favourites. In a very short summary, this book is about a girl named Margo who disappears after the narrator Quentin spends a night running around the town with her doing crazy stuff. Quentin becomes obsessed with trying to find her and follows a bunch of clues, trying to piece together the story. It was very fast paced, not at all boring, and the ending was probably one of his more satisfying ones.

First off, I have to say that the age group for this book is slightly more mature, I can say that about most John Green books, but this one in particular sounds most like an average teenager. And by that, I mean that there is cussing and explicit mentions (or joking from the character’s perspectives) of sex. So if you’re a teenager, I’d say great! Go on and read! But if you’re one of the more sensitive types, you might want to avoid the book.

That being said, I feel like this is one of Green’s most realistic teenage-perspective books. They character’s aren’t over or under done, and to be honest, I found the characters saying things my friends or I would probably say. There were also a few references to things that made me flail around happily at the fact that I understood the reference (such as to Harry Potter, which was, in fact, mentioned). I could relate to bits of this book on a level that I normally can’t with most books, so I have to say I was quite impressed.

The point of this book was for there to be character development – specifically for the character Margo. So much of the plot was based off of that, and John Green did a very good job. It was a risky thing to do in a book, basing a plot fully on how much you learn about a character, but he implicated perfectly.

Overall, I’d give Paper Towns a five out of five. It easily made my top five books, probably above his Fault in Our Stars. The book was very well written, well thought out (unlike this review), and well detailed. I honestly don’t think that there was anything I didn’t like about it. I would recommend to anyone who wants to read a very teenager-ish, mystery-ish bo

The Eye of Minds Review

After waiting weeks, I finally managed to get James Dashner’s new book. I was really excited to get it. I enjoyed The Maze Runner and I was hoping that this book would be just as good.

It was better.

The Eye of Minds by James Dashner is the first book in the new series The Mortality Doctrine. The second book is planned to be released in autumn of next year (Pulling a Rick Riordan, are you Mr. Dashner?). The book takes place in a sort-of futuristic setting where people are spending more time in the virtual work, VirtNet, instead of the real world. It’s one of those books that takes place mostly in a digital world where there is somebody hacking the system of harming people. I have seen this before, at least twice (though I can’t remember the first time I saw this per say), the second being in the Pendragon book The Reality Bug). But even though I have seen this type of setting, this book felt different to read.

Well, the book started off fairly regular. Somebody spending time in the VirtNet, except something weird happens. It’s the type of formula that has been seen before multiple times in multiple books. The book seemed fairly average until about halfway through, when things started to get good. I can’t say what happened because of spoilers, but things got dark and crazy and the book ended with a twist that had me wishing autumn 2014 would come a lot sooner.

Honestly, I just need to talk about the setting of this book. I feel like that is a huge part about what made this book what it was. It was brilliantly done, what with the line between what was fiction and reality. That line being a very, very thin line at times. The way that Dashner talked about the VirtNet made it feel like it could almost be real – like I could go to the corner of the room and there would be my “coffin” (a sort of container-type thing where a person laid while they accessed the VirtNet) waiting for me. And while sometimes the virtual world felt realistic, other times it was written to be very clearly digital. It was brilliantly done, and the book itself kept you, as the reader, guessing as to what was going on.

It wasn't very difficult book to read. Between books that I've been reading for school and some books I've been reading for fun that were a little more on the complex side, this book was an enormous relief for my mind. No, the plot was not obvious nor was it not complex, but there were no crazy symbolisms and there was no fancy language that was akin to Shakespeare. I managed to finish in only a few hours, which is something I haven’t been able to do with a book for a long while. And it was interesting enough to keep my undivided attention for said hours.

Overall, I’d give this book a four out of five. It was very well written, very interesting, and overall just a good read. I’d recommend this book to people who want a break from extreme fantasy or crazy sci-fi. This book is a bit of a cross between those genres, while keeping a very realistic element to it. Like I mentioned before, it isn't a very difficult book to read, but I wouldn't recommend giving it to someone under the age of 12. There are some dark elements that had even me slinking under my blankets once I turned out the lights.

The Fault in Our Stars Review

It’s really quite amazing how a book can change ones view of the world and, more often than not, make them feel pretty damn insignificant. This is how I felt after reading the infamous The Fault in Our Stars by John Green.

' Sobre Café E Livros: Por Que Ler A Culpa é Das Estrelas, De John Green (com Fan Arts!). N.d. Photograph. ' Sobre Café E Livros: Por Que Ler A Culpa é Das Estrelas, De John Green (com Fan Arts!). Web. 01 Nov. 2013. <http://sobrecafeelivros.blogspot.com/2013/05/por-que-ler-culpa-e-das-estrelas-de.html>

I don’t like most books about cancer. A lot of the time, they’re unrealistic or about those few who did something really brilliant. TFIOS was different. This book is about a teenager named Hazel who, if you couldn't guess, has cancer. The book basically sums up the hell that she has to go through because of cancer – including her love life. I don’t often cry for books, but by the end of this one, I was brought almost to tears (the reason I probably didn't cry was because I was too emotionally tired from starting the book a few hours prior and reading it all over a short amount of time).

Besides the realistic-ness of the book, symbolism plays a huge part in the book as well. Not symbolism like in The Great Gatsby where the reader has to find out about it themselves, but symbolism that is very clearly put in almost bold letters I am a symbol. It adds both a bit of deeper meaning to the text as well as give the bluntness of the average teenager. Especially a dying one. There’s also a lot of emotion behind these symbols. The word “okay” holds more meaning than the word “always” means to Potterheads, which is saying quite a bit.

I know that I say this about almost every book I've reviewed on here, but this book had dynamic characters. Hazel grew emotionally stronger and her view of the world did change, Augustus… Well, let’s actually not talk about him right now. I honestly didn't think there be so much development in a book about cancer, I’m not quite sure why, but this book completely changed that. Especially because she [Hazel] didn't act like the stereotypical cancer kid.

The writing style of this book was very John Green. It was sarcastic, joking, and made references to a book that to my knowledge doesn't actually exist throughout the book. Despite not being a teenager, he has definitely succeeded in sounding like one, where many authors have failed (yes, I am looking at some popular YA authors). At times, it seems to be a little overdone, but it only adds to the lighter tones of the book. But as a general rule, the narrator acting like a teenager really helps to connect to the readers. I can see why so many people like the book.

Overall, I’d give the book a five out of five. This book easily made it into my top five favourite books (place number one still goes to Anthony Horowitz’s Oblivion). It’s deep, funny, light-hearted, depressing, and everything in between. It plays with your emotions so much throughout the book. You, as the reader, actually almost feel like you’re in the book. I would recommend this book to everyone. I repeat; everyone. It is a book that, within the time that I spent reading it, completely changed my view on the world. There isn't one person who shouldn't read this book, no matter the age.

Unwind Review

I apologise for not being able to post last week! On the night before I was planning on uploading, I had a giant essay to write that was due for IB English the next day. But I’m back again, and somewhat alive!

Dystopian books are starting to reach the level of being overdone and are a far too popular topic to write about. I, personally, am also not a fan of the genre. So when I went to pick up Unwind by Neal Shusterman at my friend’s request, I put it at the bottom of my “to read” pile. Once I finally got my bum around to reading it, I realised two things: The first being that this was an amazing book, the second being that I should really stop doubting my friend’s choice in books.

 

Unwind Cover. N.d. Photograph. Neal Shusterman: Unwind. Web. 25 Oct. 2013. <http://www.storyman.com/books/unwind.html>.

What stood out to me the most about this book is that it actually had a plot that I had never, ever, ever seen before. This is a very rare thing, and because of that, I was extremely shocked. This book is about a society where unwanted children, instead of being sent to jail or grounded or whatnot, were “unwound”. This “unwinding” consisted of taking the limbs and organs of the person (under the age of 18) and using those pieces to replace a limb or an organ of someone who needed it. This way, they got rid of the unwanted child without fully killing them and they saved lives. The book follows the perspective of three children who were sent to be unwound who managed to escape (or in one character’s case – was somewhat kidnapped) and were on the run.

This book has a very chilling effect on the read. The most shocking thing about this book is that it is so well written that it actually seems like it could be happening right now. Everything else in society is fairly normal like it is now, with the exception of unwinding and a few other minor details. Shusterman does an excellent job at portraying this concept without creating an entirely differently world in the process (cough–Gone–cough). It was a very shocking read and, to some extent, did change my perspective on the world once I had finished it.

The main characters, the narrators, also are very dynamic. The trouble with some books in this genre is that sometimes the authors put too much thought into creating this crazy, perfectly imperfect, dystopian society that they forget to write more about how a character changes. This book managed to capture this perfectly. And the fact that it changes perspectives from three different characters gives the reader a much broader understanding of different classes and groups during this time as well so there was nothing lost on the development of the setting and culture either.

On the downside, I did feel like this book did drag on just a bit in times. Yes, yes, it is difficult to find a book that doesn’t do this, but this was one of those books that couldn’t hold my attention enough to finish it in a couple of days given the time. There were some scenes that seemed to stretch on forever, and though that could have been intentional by the author to show how the characters were feeling about a situation, I personally just found myself shoving a bookmark in and moving to another book in the hopes that would keep my attention.

Overall, keeping personal opinions to the side about the genre, I would give this book a 3. Every detail of this society was well executed, and the characters were very well developed, but it did drag on quite a bit at times and there were some parts where I was questioning the sanity of the author. Unwind was a book that changed my perspective on life around me, and I would recommend this book especially if you are looking for a dystopian book that doesn’t exactly follow the formula. 

Heroes of Olympus: House of Hades Review

The Heroes of Olympus has been a hot mess full of underdeveloped characters, Mary Sues, and a general disconnect from the original Percy Jackson series up through The Mark of Athena.

And then the House of Hades came.

When I first picked up this book, I was very apprehensive. Of course I wanted to know what happened to Percy and Annabeth after that terrible, and literal, cliff hanger at the end of the Mark of Athena, but I didn't expect Riordan to be so good at writing dark. This book is possibly one of the darkest books he was written. From the description of Tartarus that originates from both classic myth and his own imagination to the descriptions of some of the gods, the book was very well written. Anthony Horowitz still takes the cake for being one of the best dark YA authors, but Riordan holds much potential.

Can we talk about the cover for a moment? It is just so perfect! As mad as it may sound, the US cover perfectly fits the book. It is dark, symbolistic, and actually partially portrays a scene from the book (unlike the UK covers – sorry, but those still scare me). It is a near-perfect portrayal of Percy and Annabeth in this book. John Rocco, this is a shout out to you being an amazing cover artist for the books since The Lightning Thief!

Up to this point in the series, there was a certain disconnect from the original books. This book completely patched that over; references to the Second Titan War, old characters appearing, and our good ol' Annabeth actually acting like herself again. For once, I felt as though I was reading a continuation of PJO instead of a [poorly] written fanfiction. Old characters also popped up in this book. Remember Rachel? Grover? And if you've read The Demigod Files and The Demigod Diaries, be prepared to see some references to some of the stories in there.

And the characterisation. Of my gods, this book did an amazing job at it. Ever wonder about some of Nico's past? This book connects the dots and even sneaks in a little detail in about him where, unless you've come across a spoiler before reading the book, you will have not seen coming. Flat characters are turned into round, dynamic characters and, overall, this book fixes most of the mistakes from the prior books.

Now let's discuss the plot. It moved along quickly - almost too quickly than what I would have liked. 600 pages went by way too quickly, and although I like a fast book, this one went a little too fast. Individual scenes weren't generally very descriptive, and were done in a choppy manner through the switching of perspectives between scenes. The chapters were also almost to Maximum Rider length, the shortest being only two or three pages long. The story itself was entertaining, but it could have gone into a bit more detail.

Uncle Rick has also surprised us in a way other than a troll-worthy cliffhanger. As some of you may or may not be aware, Riordan had a reputation for being a bit of a homophobe. It seemed, in prior books, that he purposely avoided any and all myths that involved any sort of gay characters. This book changed this. I won’t say who, but besides there being a blatant mention through a myth, there is also a gay character. And it is seamlessly written into the story – not at all forced like I would have assumed.

Overall, I would give this book a 4 out of 5. It is the best book in the Heroes of Olympus by far, and though there are a few mistakes (and misquotations), it was overall well done and well thought out. I was definitely not expecting this high quality of work and I will be expecting something even better for the last book, The Blood of Olympus, planned to be released Autumn of 2014.